Performance and Book Reviews

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Review of The Merchant of Venice (Case Western University/Cleveland Play House), Play Shakespeare.com, November 2019.

Review of Julius Caesar (Great Lakes Theater), Playshakespeare.com, October 2019.

Review of The Taming of the Shrew (Great Lakes Theater), PlayShakespeare.com, April 2019

Review of Antony and Cleopatra (National Theatre, London), PlayShakespeare.com, November 2018.

Review of Actually (San Diego Repertory Theatre), San Diego Free Press, November 2018.

Review of Fade (Moxie Theatre, San Diego), San Diego Free Press, October 2018.

Review of Othello (Shakespeare’s Globe, London), Playshakespeare.com, October 2018.

Review of The Jungle (Good Chance Theatre, London) San Diego Free Press, September 2018.

Review of King Lear (Chichester Festival Theatre at the Duke of York’s Theatre, London), PlayShakespeare.com, August 2018.

Review of The Loneliest Girl in the World (Diversionary Theatre, San Diego), San Diego Free Press, June 2018.

Review of Madres (Moxie Theatre, San Diego), San Diego Free Press, June 2018.

Review of Macbeth (Great Lakes Theater, Cleveland), PlayShakespeare.com, April 2018.

Review of Flint (Purple Rose Theatre, Chelsea, Michigan) San Diego Free Press, February 2018.

Review of Hershey Felder as Irving Berlin (San Diego Repertory Theatre) December 2017.

Review of A Midsummer Night’s Dream (Great Lakes Theater, Cleveland), PlayShakespeare.com, October 2017.

Review of Alaxsxa/Alaska (Ping Chong+Company), San Diego Free Press, October 2017.

Review of Ironbound (Moxie Theatre, San Diego), San Diego Free Press, September 2017.

Review of Roz and Ray (San Diego Repertory Theatre), San Diego Free Press, September 2017.

Review of The Winter’s Tale (Ohio Shakespeare Festival), PlayShakespeare.com, August 2017.

Review of As You Like It (Ohio Shakespeare Festival). PlayShakespeare.com, July 2017.

Review of The Revolutionists (Moxie Theatre, San Diego), San Diego Free Press, June 2017.

Review of Collidescope 3.0 (Ping Chong + Company, Wake Forest University, February 2017) San Diego Free Press, June 2017 (Reprinted from the article originally published by HowlRound)

Review of Macbeth (Shakespeare Theatre Company, DC), PlayShakespeare.com, May 2017.

Review of Smart People (Arena Stage, DC), San Diego Free Press, May 2017.

Review of The Comedy of Errors (Ohio Shakespeare Festival), April 2017.

Review of Hamlet (Great Lakes Theater, Cleveland), PlayShakespeare.com, April 2017

Review of Firepower (Detroit Repertory Theatre), San Diego Free Press, March 2017.

Review of Blue Door (MOXIE, San Diego), San Diego Free Press, February 2017.

Review of Altar Boyz (Coronado Playhouse), San Diego Free Press, February 2017.

Review of Our Great Tchaikovsky (San Diego Repertory Theatre), San Diego Free Press, February 2017.

“A Performance for Social Justice: The Life and Times of Patricia Prewitt” (St. Lou Fringe Festival), San Diego Free Press, February 2017.

Review of IN THE VA VA VOOM ROOM (Diversionary Theatre, San Diego, CA), San Diego Free Press, January 2017.

Review of Romeo and Juliet (Shakespeare Theatre Company, DC), PlayShakespeare.com, October 2016.

Review of Twelfth Night (Great Lakes Theater, Cleveland), PlayShakespeare.com, October 2016.

Review of JUNK: The Golden Age of Debt (La Jolla Playhouse, La Jolla, CA), San Diego Free Press August 2016.

Review of Richard III (The Independent Shakespeare Company, Los Angeles, CA), PSC, July 2016,

Review of Maestro (The San Diego Repertory Theatre, CA), San Diego Free Press, July 2016.

Review of Macbeth (The Old Globe, San Diego, CA), July 2016, PSC

Review of The Last Tiger in Haiti (La Jolla Playhouse, CA), July 2016, San Diego Free Press, July 2016.

Review of The Taming of the Shrew (Shakespeare Theatre Company, DC), PSC, June 2016.

Review of Ring of Fire (CATCO, Columbus) Columbus Underground, June 2016.

Review of Love’s Labour’s Lost (Great Lakes Theater, Cleveland) PSC, May 2016.

Review of The Winter’s Tale (Shakespeare’s Globe, London, UK) PSC, April 2016.

Review of Hamlet (Royal Shakespeare Company, Stratford-upon-Avon) PSC April 2016.

Review of King Lear (Great Lakes Theater, Cleveland), Play Shakespeare .com (PSC) October 2015.

Juried or peer reviewed Journals

Review of A View from the Bridge (Mad Cow Theatre, Orlando, Florida) Arthur Miller Journal 13.2 (Fall 2018):191-195.

Review of All My Sons ( Repertory Theatre of St. Louis), Arthur Miller Journal, 13.1 (2018): 90-97.

Review of Objectively Reasonable (Playwrights Local, Cleveland OH), Continuum (originally published in HowlRound, November 2016).

​Review of The Crucible (Cleveland Play House), Arthur Miller Society Journal, 12, no.1 (2017):62-68.

Review of Objectively Reasonable (Playwrights Local, Cleveland, OH), HowlRound Journal, November 2016.

Review of Informed Consent (Off Broadway Production), Theatre Journal 68, no.2 (2016):283-286.

Review of Beyond the Horizon. Laconics (Eugene O’Neill Society’s Official Newsletter) 9 (June 2014). 

Review of Love in Afghanistan. Theatre Journal, 66, no.2 (April 2014):270-272.

Review of A Midsummer Night’s Dream. Theatre Journal, 64.4(2011): 464-465.

Review of Medea Didaskalia 8, no.16 (2011):104-108.

Book Review of Suzan-Lori Parks by Deborah R. Geis. African American Review. 43.4 (2010).

Book Review of In the Public Eye by Joanne Kilgour Dowdy. Trinidadian Guardian 4 October 2009.

Review of the First Asian American Theatre Festival. Theatre Journal, 60.2 (2008): 283-285.

Book Review of Codifying the National Self: Spectators, Actors and the American Dramatic Text by Barbara Ozieblo and María Dolores Narbona-Carrión. Theatre Journal, 60.1 (2008): 160-161.

Review of Native Voices. Baylor Journal of Theatre & Performance 4.1 (2007):167-170.

Review of The Crucible. Arthur Miller Society Journal 2.1 (2007):77-79.

Review of CATHAY: Three Tales of China, Theatre Journal 58.4 (2006): 683-684.

Book Review of The Past as Present in the Drama of August Wilson by Harry J. Elam, Jr. African American Review 39, no.3 (2005):479-80.

Review of Long Day’s Journey into Night.Ensemble Theatre, Cleveland. The Official Website of the Eugene O’Neill Society. April 2005.

Review of OBON: TALES OF RAIN & MOONLIGHT, Theatre Journal 56.3. (2004): 484-87.

Review of South Pacific, Theatre Journal 55.3 (2003): 536-38.