JURIED ARTICLES AND BOOK CHAPTERS

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Articles/Book Chapters

“Ping Chong: An Artist, Storyteller, and Activist” in Great North American Stage Directors Volume 7, Elizabeth LeCompte, Ping Chong, Robert Lepage, (volume editor) Bloomsbury Academic, November 2021

“Disrupters: The Democratic Activism of Women of Color,” The Seneca Falls Dialogues Journal, Vol.4 2021 (co-written with Dulce María Gray and Denise Harrison)

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“#BlackLivesMatter: Intersectionality, Violence, and Socially Transformative Art,” The Seneca Falls Dialogues Journal, 5 (2019) (co-written)

“Ping Chong: An Artist, Storyteller, and Activist” in Great North American Stage Directors Volume 7, Elizabeth LeCompte, Ping Chong, Robert Lepage, edited by David Saltz (volume editor) Bloomsbury Academic, upcoming.  

“Celebrating the ‘Historical’ Community Through Different Voices: Ping Chong and Talvin Wilks’s ‘Women of the Hill.’” Continuum: a Journal of African Diaspora Drama, Theatre and Performance 3, no. 1 (2016):1-20.

“Stories In and Outside DNA: Deborah Zoe Laufer’s, Informed Consent.” Native American and Indigenous Studies. 3, no.1 (Spring 2016):116-129.

“A Comparative Analysis of Three Plays on Disasters: Omnium Gatherum. Carried Away on the Crest of a Wave, and Radio 311.” Text and Presentation 11 (Spring 2014):192-208. 

“Personal Collage Project for an Introduction to Theatre Class.” Social Justice and Pedagogy edited by Kenneth Cushner and Joanne Kilgour Dowdy, 133-136. Lanham, Maryland: Rowman Littlefield Publishers, 2014.

“Finding, Reclaiming, and Reinventing Identity through DNA: The DNA Trail.” The Japanese Journal of American Studies, 23 (2012): 285-303.

“Autobiographical Report: Presenting Your Research Suing the First-Person Narrative” in Teaching Drama in the Classroom, edited by Joanne K. Dowdy and S. Kaplan, 11-12. Rotterdam, Netherlands: Sense Publisher, 2011.

“Hunter-Hunted: An Engagement Exercise.” in Teaching Drama in the Classroom, edited by Joanne K. Dowdy and S. Kaplan, 185-186. Rotterdam, Netherlands: Sense Publisher, 2011.

“Ping Chong’s Postcolonial Historicism and Theatricalism: Pojagi” in The East-West Quartet. Text and Presentation. 6 (2010): 129-140.

“Terrence Spivey” American Theatre Magazine. (February 2009): 42-45.

“Search for Home and Identity: Ping Chong and Michael Rohd’s Undesirable Elements—Berlin.”  M/MLA Journal 38, no.1 (2005): 85-100.

“Theatre as the Healing Space: Ping Chong’s Children of War” in Studies in Theatre and Performance 24, no.1 (2004):23-36. Republished in Refugee Performance, edited by Michael Balfour, 247-260. London, UK:Intellect, 2013.

“Creating a Tapestry of Voice and Silence in Michiko Ishimure’s Kugai jodo (Paradise in the Sea of Sorrow)” in Journal of Narrative Theory 33, no.3 (2003):315-334.

“Crossings: A Communal Journey of Catholic Immigrants in Los Angeles” in Theatre Forum 22(2003):37-44.

Biographical Articles

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“Ping Chong” in Encyclopedia of Multiethnic American Literature. Greenwood Press. 2005, 456-457.

“Amy Hill” in Asian American Playwrights: A Bio-Bibliographical Critical Sourcebook, edited by Miles X. Liu, 98-102. Westport, Connecticut: Greenwood Press. 2002.

“Denise Uyehara” in Asian American Playwrights: A Bio-Bibliographical Critical Sourcebook, edited by Miles X. Liu, 334-339. Westport, Connecticut: Greenwood Press. 2002.